The exhibition 100 Days dedicated to Peter Dreher, curated by Sarah Cosulich, generates an unexpected dialogue between the ceramic surfaces of Mutina and 100 canvases by the artist from the series Day By Day, Good Day, shown in the guise of a single large installation.
With their muted colours and articulated patterns, the ceramic walls that serve as background contribute to accentuate the atmosphere, the temporality and spatial illusion surrounding the canvases. The focus on the treatment of the surface, in painting as in ceramics, contributes to increase the tension between the threedimensional nature of the subject and the environment in which it exists.
